The exhibition through our encounter with the materiality of painting, photography and video enables us to consider: Time, Matter,  LIGHT,   surface, process, texture, paint, touch, photography, media, support, phenomena, repetition, trace,  size, scale,  reflection, matt,  gloss, transience, colour, tone,   impermanence, memory, TIMEagain, geometries, the organic, placement, SPECIFICITY, accident,  blur, interval,  something,  nothing, tradition, variation, Processes again, ambiguity , the known and  unknown,  timing, slippage,   humour,   what is – what is  not,  HISTORY of painting  and photography,  the   politics  of painting,  photography and   place and site  AND situation, poetics, feeling, the digital, the  PRESENT, the  actual, the concrete, concepts, limitations stillness, movement, DURATION and the movement of meaning  AND our perception and construction of time.